2nd Avenue Poetry: volume 3

LAYNIE BROWNE
Forgetful Glass
Summer Was Winter
Ps(alm) for the Unspoken and Unwritten
Forgetful Glass
There were glasses, pale green, filled with fizzy water. Delicate bubbles, somehow
smaller effervescence. None of the glasses were filled very full. Little boys were
carrying them back and forth, and on trays across a lawn. And they were being
monitored as they carried. And adults carrying water would forget where they were
going. Again and again they would recurr, begin again. Nobody drank from any of the
glasses and there was confusion. It was as if everyone who was carrying a slightly full
pale green glass of fizzy water did not know that he or she had or was doing so and
therefore had to return for another cup. But arriving, already carrying a cup the person
would then scurry away– but to where? Things were lost, plans abandoned. It was a
single file enterprise which seemed innocuous enough.
Until –I was informed that it was carrying the glasses of water which caused
forgetfulness. With a glass in hand one could not remember where one was headed, what
one was holding, or why. And so there was an attempt to stop, to remove the glasses, to
decipher the plot of forgetfulness, to retrace our steps and begin again with nothing in our
hands.
Summer Was Winter
I visit S. in summer and she has prepared hot cinnamon drink and toast and pastries by
candlelight. She has prepared winter foods in summer and therefore changed the season.
Summer was winter, though not in the way you might expect. This is not any relation to
weather. I went to visit S. in New York City, though S. no longer lives in New York
City. As a matter of fact I'm not sure that it was New York City, though that is certainly
as good a place as any for summer to become winter. That is the city in which our
friendship began, before I left the city and before S. moved to Oddly Connecticut.
I went to visit S. in the summer and she was dwelling in a bower constructed of
candlelight. There was a winter table and the smell of a fire, and on the winter table was
steam refracted from something which smelled like cider. There were invariably some
type of pastries which must have come from our traditional spot which might have been
on 5th Street. I could not see these delicacies but they were suggested by the candlelight,
the aromas, the smoke from the fire and mostly by S's smile. She greeted me distinctly
from within a winter frame.
I wore no coat and there were not any coats hung or strewn about as there would have
been in winter and the smile on S's face also lit or warmed the room and in the room also
was a particular hovering promise that we would somehow revisit 5th street, or the purple
walls of the now defunct yoga studio, or the warm soup of Kiev on 7th street, now also
gone. Or maybe S's one room apartment for which she lent me the keys when my 10th
Street apartment burned down.
But more than any place we might visit I think it more correct to say that it was a time we
might visit by delving into the smile and the woodsmoke, though S. did not have a
working fireplace on 5th Street. In Oddly she does have a working fireplace. The fire
was not visible on this visit but that is because I never did get to looking about but
remained riveted to the smile and the candle and the change from summer to winter.
So when I say it was a time what I mean to suggest is that to visit a friend can be a visit to
a particular decade, or several decades. And time can change a season of course, but the
winter S. constructed from summer was not a conventional winter. S. always loved
winter though she did have a spell of not liking winter in Oddly after she lost her father
and took on the task of cataloguing and promoting his artworks in his former home which
was now her home. There was the smell of death which lingered in his car and I was
consulted by S. in terms of smudging herbs. White sage, I said or maybe francincense.
There is always regret from loss and loss from regret and this is another way that summer
may become winter or winter may be spring or you may be someone unrecognizable.
This happens through no efforts of our own and certainly we did not wish to be persons
who must experience loss.
Yet that is the derailment of time and memory, not like this visit in which summer
becomes winter as a delightful premise in which to secretly exchange confidences in the
semi-dark, which reminds us of a dream of a visit in which there was also candlelight
and a narrow cot and confiding. Somehow all of these visitations and unorthodox
fluctuations of season or time suggest the desire to overtake the regret of having left a
particular season or time. In other words, why must we age? And why must place and
time be so specific so that it seems possible to walk out of one's very skin? And that is
why a visit with an old friend is similar to re-entering one's skin or body or a body of
thought at once more confident or insecure or poverty stricken or independent or
homeless. Anything is possible when time is deconstructed and you can deconstruct
time at least for a moment if you go to visit a friend in a town called Oddly and if the
season changes when you walk into the bower then you might be able to visit a place or a
time which you had once thought irretrievable.
Ps(alm) for the Unspoken and Unwritten
Or: Entering the Other Stream of Time
The ingredients were either two or three. Three including one that could cause heart
damage, or only two, including the one that could cause leukemia. The elder
practitioners said three was safer, more years of data.
The young boy poured out his grandmother's medicine, replacing it with a mixture of
shoe polish, flea powder liquid detergent and brown paint. Imagine, she said, injecting
toxins into a body so pure. The other ingredients could be found elsewhere, the
ingredients which caused something unexpected. A lymphatic register. Awaiting.
We don't know anything, and we won't know anything, said the Kafkaesque woman in
the meeting. And we don't know who will answer your questions, and we don't know
when.
When is a summons. To be occupying such a body with no answers, no blending of
empathy, and to be large in a chair, in a time of slashed budgets and displacement. When
the grandmother drank the concoction she rose and hovered two feet above her chair.
She's walking around now, my sister said, but soon she'll be thin, she'll lose her hair, her
appetite.
No cap on pen, no finality, no night. "Na" means please. El na refa na la.